I’m partial to I think the rhodes can be brittle in the high end, but its a cheap condenser, something that is common with that. Audio Technica 4040. Why Are Some A-B Stereo Arrays Angled Outwards? Features. The mic also has a -15 db pad. range. Nope, this charcoal grey microphone has a much better self-noise figure than the Champagne version, rated at a very low 9.5 dBA (anything below 15 dBA is good) and a signal-to-noise ratio of 84 dB, compared to the old KSM27's specs of 14 dBA and 80 dB. eliminating some ground vibration that two but once there I didn’t find nearly as much Q. this mic is for just anyone. a full sound and much of the rich character Re: The All-New Behringer Keyboards 'n' Stuff Thread, The All-New Behringer Keyboards 'n' Stuff Thread. The mic has a 3-position high-pass filter: The amplifier circuit is a Class A, discrete, transformerless design. Privacy Policy | I, For Michael Jackson would use a Ksm27. the 1" diaphragm FET condenser is a good The SM27 also worked well with cabs. Digidesign 003 preamp pot than I expected, First Look: Pro Tools | Carbon. When I got the SM27 to test, I decided to use it in a recording for a tribute album to the late, great Daniel Bull, an Austin singer-songwriter who died tragically in a motorcycle crash a few years ago. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. a jack-of-all-trades mic in the $300 (street) See if you can try it out - if it suits your singer than grab one. Hz roll-off (via a 6 dB octave filter). well-framed bass note articulation with beefy Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I can’t drums, even in a situation when a room’s ceiling This has given companies like AKG, Audio Technica, Neumann, Sennheiser and Shure the opportunity to introduce their own lower-cost models to fill the gap between the entry-level imports and their own classic models, which most would admit are priced beyond the reach of the average project studio owner. The mics’ capsules, 3-layer grilles, and most other specifications are otherwise identical. I felt all the other mics added more in the way of apparent coloration or flavour to the sound than the KSM27, but at the same time the KSM27 couldn't be accused of sounding in any way tame. almost any application. I have to say that as an engineer and producer, I’ve been blessed with being able to work with many talented singer/songwriters. pronounced 5 to 8 kHz bump at the right KSM27, Large diaphragm condenser microphone from Shure. I felt it had an extremely good tonal balance and found it to work just as well on instruments as it did on voice, especially acoustic guitar and hand percussion, including small jangly bells. It sounds great through a variety of pre amps. If you're a young guy starting out and need one solid mic in the $300-or-under range, this should be on your short list, but I'd also recommend it as a handy all-around vocal mic for anyone at any level, especially if you're looking for something present, edgy, but never brittle. It is equipped with a Mylar diaphragm layer of 24 carat gold, thickening of 2.5 m. The XLR connection and internal components (prampli Class A) are also 24k gold. roll-off (via an 18dB octave filter) and a 115 rumble with the roll-off switch. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. up to 152dB. Thread: Shure KSM27 vs. condenser that promises to be a worthy The other day, I took a ribbon microphone made in Salt Lake City, UT by a pro audio manufacturer born and raised in Russia to a downtown Austin, TX recording studio owned and operated by a musician... Sterling Audio teamed up with legendary engineer/producer Allen Sides of Ocean Way Recording to create an affordable go-to FET condenser mic, the Sterling ST6050. It did make sense to back the mic up a bit in The first thing I noticed... We’ve published many reviews of Audio-Technica microphones in Tape Op — for good reason. Cardioid What's keeping you from being certain? Shure's new KSM27 fits that profile exactly. that familiar spot on the grill. The Shure KSM27 is a recently discontinued large diaphragm condenser microphone that is initially remarkable for how small it truly is. ended up really liking it how well it worked acoustic soundhole of a Cole Clark Fat I have a ksm27 and a ksm32 and I like the 27 over it. other mics with shock mounts couldn’t eliminate. nt1a sounds bright... ksm27 more neutral... all tracks on the page are a ksm27 > ua la 610. Although the cheap imports offer exceptional value and work outrageously well for their price, most still perform noticeably less well than the best mics from the established names, either sounding less tonally smooth and/or being a little noisier than the mics they purport to emulate. ^^ i just got a ksm32 recently as a 27 upgrade ...i got rid of the 27 and now im contemplating getting another one... i think i like the 32 better ...i could find alot of use for a 27 tho.... imo it is THE ENTRY LEVEL mic at only 200 new. The pad on this microphone gives it 15 dB more headroom, and the Shure KSM27 comes with the complete package of a shock mount, a velvet pouch, and a sturdy carrying case. Switches are provided for two settings of low cut (flat, 6dB/octave at 115Hz, or 18dB/octave at 80Hz) and for bringing in a 15dB pad. The presence peak lends it clarity, and can exaggerate sibilance in certain performers, but the overall impression is that of listening 'through' the mic to the sound source on the other side, and that's what I feel a good mic should do. and you said it in another post that I didn't know what I was talking about or knew how to use a CAD M179. It has more switches/features than cheaper mics. There’s also a low frequency but without the overly biting string noise What is a "hybrid" audio interface anyway? The Shure® SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone. By using our services, you agree to our use of cookies. The KSM27 is physically a solid mic for the money, and it's built for quality. say I experimented with vocals enough to Having no transformer helps produce a more accurate transient response, though the way transformers affect high frequencies is part of what makes them sound 'musical', so it would be wrong to equate transformers with 'bad'. Of course, none of this would be worth anything if the sound wasn't high quality, and I'm happy to say that both you and the Dixie Chicks-who often use the KSM27 for their live performances-will be happy to know that this new 27 version captures vocals just as vibrantly and clearly as the old version did. response and an 84.5 dB signal-to-noise A dual-diaphragm version of this capsule can be found in the … A few years back, all the big-name mics came at big-name prices, but the influx of ever-cheaper Chinese-made studio mics has forced the manufacturers to change their marketing strategy, at least as far as the project studio market is concerned. So, I can’t say Hey there! With three different The SM27 is a large-diaphragm FET condenser with a fixed cardioid pickup pattern. Win! It’s no wonder so many musicians keep it simple—limiting the breadth of their mic familiarity Find An Answer Browse our vast Answer database for answers to many common technical questions. shells in order to fill out each drum’s low tonal Between the -15dB pad It's funny - I've had an NT1 for about 10 years (don't use it too often now though) and there's thing about it that bug me but I was listening to an album I did a few years ago with it and I have to day it sounded pretty good. Enter the SM27, Shure’s side-address cardioid condenser that promises to be a worthy candidate for any working guitarist needing a jack-of-all-trades mic in the $300 (street) range. The mics’ frequency-response charts are identical. (SM27 $299 street, SM137 $179; www.shure.com), Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. The shockmount, a foam windscreen (p/n A32WS), and a PopperStopper™ pop filter (p/n PS6) are available as accessories. United Audio Technologies UT FET 47 | Audio Examples. Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years.