This is best for recording sound directly in front of the element and allows for some leeway when placing the microphone. It’s a great plug-and-play option for people and is a low-risk option to consider. If you want a versatile microphone for every application, invest in the MV7. Pros:- Excellent performance for price- Full bodied and crisp. If you’re looking for slightly better rejection from the sides, with a little more clarity and detail, then this is a GREAT option. As far as having everything you need to record yourself for a podcast out of the box, this gets you there. Sennheiser E835 Buy this Mic: E835 is a much brighter more “condenser” like dynamic microphone. The RE320 is likely my all time favorite podcast microphone! We’ll also do a brief review of some of the more “popular” podcast microphones that we know about, but don’t recommend as a first choice. For the most part, the best podcasting microphone for a given consumer won’t usually require a dedicated recording interface. Similar to the Yeti, this mic is really heavy so you’ll need to make sure you pick up a quality stand or boom arm to support it (it doesn’t come with one). Another bonus is that it is compatible with an iPad if you use the camera connection kit. Fun fact, this is the microphone we use to record voiceover for the hit podcast Culpable and it sounds great on the host’s voice. The Cloud Microphone Cloudlifters will give your podcast microphone up to 25 dB of ultra-clean gain and can make a cheap preamp sound much better. Electro Voice RE20 Buy this Mic: RE20 is another broadcast standard and it’s apparent why. Copyright © 2020 — Paid Insights, LLC • All rights reservedA Quandary Media property. The accessibility of the format is what draws so many listeners and creators to it. You can use either a standard mic stand with a boom arm or a table-mounted boom arm. Typically, XLR mics are “more professional” but that doesn’t mean there aren’t amazing USB microphones for pretty much any budget. It requires slightly less gain than the SM7b but it is still pretty gain hungry. I believe the reason for this is the stand it comes with and the multiple polar patterns. Editor’s note: this list was updated on November 21, 2020, to mention the HyperX QuadCast S. Blue’s mission is to make your recording experience as efficient and streamlined as possible with their USB microphones. Pros:- Both XLR & USB connectivity- Cheap for what you’re getting. Fortunately, there are plenty of USB interfaces out there to get you started. The high end on this mic is much more tame than the 835, meaning if you have a brighter voice it won’t be as jarring to listen to. And, it can record directly into whatever editing program you’re using. It is an XLR & USB microphone, meaning you can connect it over USB to start out, and if you want to upgrade to include outboard gear or a USB audio interface, you can do so without upgrading. We made sure to do plenty of research on third-party forms and by scouring reviews on popular retailers. If you use the headphone jack on your computer there will be a slight delay – this will make you go crazy! We deliberately chose to highlight the Shure MV7, rather than the SM7B, for this list because of its versatile form factor, and more reasonable price. For the price, it will be hard for you to find a better sounding USB microphone. We will also provide some general advice on how to pick the best mic for your specific podcast setup and voice, and will walk through some of the basics of microphone technology. It works with an iPad with the Apple Camera Adapter, comes with a mic mute button, headphone volume dial and built-in legs. Now before you think I am just making an assumption and going off on a rant about this, let me explain. Fairly balanced. A dynamic microphone does not require phantom power, but a condenser microphone does. Simply put, this indicates if a microphone requires phantom power or not. One thing to keep in mind is how much background noise you will have in your recording area: computer fans, HVAC, traffic, etc. It’s a top choice for many podcasters. Pros:- Both XLR & USB connectivity- Smoother on/off switch compared to the 2100usb. It sits right on the top of your screen or on your desk. The Blue Snowball is a popular option for people just starting out in the world of podcasting. Rode PodcasterI’m not sure how it happened because the Rode Procaster sounds great, but somehow they made the podcaster sound awful. There are seven different recording modes for you to choose from between Auto Level mode and manual mode within the app. The resulting recordings from this microphone are as advertised: broadcast-quality, which is definitely a good place to aim for your podcast. The AT2005 is usually about $10 more on Amazon, but the price does change from time to time. The XLR input at the base requires a dedicated XLR cable, rather than an adapted instrument cable. Didn’t like how it sounded on male dialogue. Free Amazon gift card, free merch, & bulk discounts, Best Studio Headphones: The Ultimate Podcasters Guide. The ATR2100x is the latest model of an older microphone that we used to recommend but is no longer in production: the ATR2100. Blue also keeps creating new colors for the Yeti. So before media companies gentrify the podcast industry, here are some microphones that can help you start making your show sound its best on a budget. It also comes with all the cables you need and a desk stand. You can get a Neewer NW700 or BM800 or Pyle PDMIC58, and they can sound pretty good if you connect them to an audio interface. As an Amazon Associate I earn from qualifying purchases.Amazon and the Amazon logo are trademarks of, Inc. or its affiliates. Frankly a-lot of the top results out there may provide you with ill-informed information. Like the Snowflake, it clips to your laptop or sits on the desk. Overall middle of the road performance. The microphone should be user-friendly, accessible, and provide excellent sound quality. Think of it as a cool thing on your desk that you can use to make conference calls or be interviewed for someone’s show. They are neat-looking. We have also found the cloudlifter’s adds a bit of a warm tone to the podcast microphone when putting it in your signal flow. Cons:- A bit nasally sounding- A little lacking in the low end. Condenser microphones are incredible for recording high-quality vocals of all kinds, but they require a quiet (or ideally a sound-treated) space because they pick up so much background noise. Dynamic mics will sound better in a less than perfect recording area or if you have multiple people speaking into separate mics. In fact, it was rather dull. Above is a clip recorded with the HyperX Quadcast; for less than $150, it’s not too bad. We’ve already shared our favorite USB, dynamic, and condenser microphones for podcasting, but the reality is that there are hundreds of microphones on the market today. The included USB cable fits right inside the case when folded closed – very cool! Well, not bad. You can’t go wrong here. These are the microphones that I personally think are the best options. We happen to have an in-depth article on this matter, but if you’re in a rush, here’s the down-low. This makes the option potentially more expensive than the USB option, but it allows you more granularity in your set up. Frankly, we were underwhelmed by this microphone based on the price range, but the one beauty of this microphone is its streamlined design, lack of buttons, and consistent performance. The Shure SM7B in particular is a highly-popular option and is a cardioid dynamic microphone that produced the ultimate crisp, clean audio recordings. The die cast metal is durable but may weigh down your bag. The versatility, price point, and great sound are a few of the things making this USB microphone shine!